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少数民族传统图案是少数民族文化的瑰宝,一个民族的延续发展,其标志之一是其文化的传承和发扬。湘黔地区的少数民族传统图案更有其特色,带着独特的民族、区域色彩。对文化的传承发扬,最为有效的的方法便是利用、将其与现代文化相结合。而湘黔地区的民族传统图案的传承不仅仅起到了传承发扬传统文化的作用,对现代设计也有着不可忽视的影响。将湘黔少数民族图案运用于现代设计,不是直线性地继承,而是一种发展性的取留,传承中的扬弃,以及对原始视觉元素的再创新。本文通过对湘黔少数民族传统图案的传承分析了其对现代设计的影响,其中现代设计主要选择其对现代标志设计、现代服装设计上的影响。
The traditional ethnic minority pattern is a treasure of ethnic culture. The continuation and development of a nation is one of the hallmarks of its heritage and development. The traditional patterns of ethnic minorities in Hunan and Guizhou have their own characteristics, with unique ethnic and regional colors. The most effective way to carry forward and carry forward the culture is to utilize it and combine it with modern culture. However, the inheritance of national traditional patterns in Hunan and Guizhou regions not only plays the role of inheriting and promoting traditional culture, but also has an immeasurable influence on modern design. Applying the patterns of the ethnic minorities in Hunan and Guizhou to modern design is not a linear succession, but a developmental abandonment, sublation in inheritance, and a reinvention of primitive visual elements. This article analyzes the influence of the traditional patterns of the ethnic minorities in Hunan and Guizhou on the modern design, in which the modern design mainly chooses its influence on the design of modern signs and the design of modern clothes.