小人物的崇高艺术理想怎样炽烈地燃烧过,又怎样在短暂的燃烧过后落寞地归于沉寂。应该说,影片从一开始,就一直在以特殊的窥视的方式试图消解特定社会环境下高雅艺术与市民世俗生活之间的森严壁垒,而这样的试探随着影片情节的推进,似乎在力度上出现了自然而然的消减,由最初的挣扎抗争式的试探退而转变成为隔靴搔痒式地观照,直至最后完全被主流意识形态消融,纳入到大众意识主流中。一切蜕变成长的发生都有着它的内在意义和必然性,就像王彩玲给女儿讲述的飞蛾的故事,经历了挣扎,最终能够冲破阻碍破茧而出就是某种意义上的成功,无论冲破的这层阻碍是自身还是他者。 How the lofty artistic ideal of a young man burns fiery, and how to lonely in a short period of time after burning. It should be said that from the very beginning, the film has been trying to dispel the strict barriers between the elegant art and the citizen’s secular life in a particular social environment through a special peep approach. As the film’s plot progresses, such a temptation seems to be intensifying There was a natural reduction, from the initial struggles of the anti-temptation to retreat into a hesitant view, until finally completely abolished by the mainstream ideology, into the mainstream of public awareness. All the transformation and growth have their inherent meaning and necessity. Just as the story of Wang Cai Ling’s moth tells his daughter, after experiencing the struggle, he eventually broke through the obstacles and broke out, which is a sense of success. Whether the floor blocks itself or the other.