余秋雨先生在《苏东坡突围》中写道,苏轼走出“乌台诗案”阴霾,在黄州赤壁完成了中国文化史最伟大的转变之一,即从政治文人蜕变为纯粹文人。苏轼“突围”的标志即是前后《赤壁赋》的诞生。苏东坡突围,突何围?我们知道,中国古代文化作品中一直有贬官文化成分,这成分挥之不去。士大夫阶层很容易陷入贬官文化的俗套中。于是,情由贬生,文由情显,景由文名,很多情深辞丽的诗篇因此而成为不朽之作,很多古迹遗存正因为这些迁客骚人的墨韵点染而名扬千古。譬如岳阳 Yu Qiuyu wrote in “Breakthrough of Su Dongpo” that Su Shi stepped out of the haze of “Wutai Poems” and completed one of the greatest changes in the history of Chinese culture in Huangzhou, from political literati to pure literati. Su Shi “breakthrough ” sign that is before and after “Chibi Fu” was born. Sudan break out, suddenly Ho Wai? We know that ancient Chinese cultural works have been demoted official culture, this ingredient lingering. The scholar-class can easily fall into the cliché of demoted officials. As a result, the poetic sentiment from the belittle, the text from the obvious, King by the name of the text, a lot of love and affection for the poem so as immortality, a lot of monuments remains because of these migrant workers ink ink dyed and famous throughout the ages. For example, Yue Yang