曾经以理想化的歌颂主题而俏立于中国歌坛的抒情歌曲,在经历了流行歌曲、通俗歌曲和西部摇滚歌曲的轮番冲击后,已深深地陷入低谷之中。词刊的“歌多声少”和盒带的“声多歌少”两大反差,形成了歌曲界的最大困惑。许多严肃、正直、有着艺术家良知和历史责任感的音乐家,正以焦灼的心情呼唤着抒发祖国之情、人民之情、时代之情的歌曲复苏。然而,这种复苏是艰难的——演出的节目单上没有份儿,观众的掌声只是礼节性的,只有电 The lyrical songs, which once stood on the Chinese pop music scene with the theme of idealized songs, have plunged into the bottom after having experienced the impact of popular songs, popular songs and western rock songs. Vocabularies “song more and less” and the cassette “voice more song less” two contrasts, forming the biggest confusion in the song world. Many serious and upright musicians with an artist’s conscience and a sense of historical responsibility are calling with anxious feelings for the recovery of songs that express the feelings of the motherland, the feelings of the people and the feelings of the times. However, the recovery is tough - there is not a single show on the show, and applause from the audience is merely courteous, with only electricity