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怎样划清诗与散文的界限尹安贵在《星星》1986年第2期上撰文,提出了诗与散文的时间差,以及由此划清诗与散文的界限问题。文章说,既然诗与散文都有时间艺术的特点,从此入手,或许能找到它们之间的区别。我们抓住在读诗中的时间知觉,即长与短这对矛盾。这长,不是指篇幅的长,因为《凤凰涅槃》《女神》我们并不觉得长,而现在有的诗,篇幅比之短小得多,我们却觉得冗长。所以,准确地说,长与短,是作为我们对有时间艺术特点的诗与散文的一种时间知觉。从阅读心理上看,作为具有时间艺术特点的诗与散文,存在较大的时间差。一首诗和一篇散文,即使篇幅长短相同,阅读时间相同,但比较起来,我们心理上总觉得诗短些,而散文长些,这就是诗
How to Define the Boundary between Poetry and Prose Yin Angui wrote an article in The Star, Issue 2, 1986, presenting the time difference between poetry and prose as well as defining the boundary between poetry and prose. The article said that since both poetry and prose have the characteristics of time art, from which they may be able to find the difference between them. We grasp the perception of time in reading poetry, that is, the contradiction between long and short. This is not a long term, because “Phoenix Nirvana” “Goddess” we do not think long, and some poetry, the length is much shorter than that, we feel long. So, to be precise, long and short, is a kind of temporal perception of poetry and prose as we have the artistic characteristics of time. From reading psychology point of view, as a poem and prose with the characteristics of time art, there is a big time difference. A poem and an essay, even if the length of the same length, the same reading time, but in comparison, we always feel short poetry, but the essay longer, this is poetry