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“酒神”与“日神”或称狄俄尼索斯与阿波罗是一种哲学的、文学的概念,一种二分法。在《悲剧的诞生》中,尼采运用“酒神”与“日神”作为一组二元对立的精神范式典型,他以醉境和梦境分别形容酒神状态和太阳神状态。这与中国道老庄哲学有着异曲同工之妙。而《道德经》与《南华经》作为中国道家哲学的源头,同时具有较强的文学性,以至于影响了整个中国古代文学。本文旨在从哲学角度出发,对话在其影响下的中西文学艺术。
Dionysus and Dionysian or Dionysus and Apollo are philosophical and literary concepts and dichotomy. In the birth of the tragedy, Nietzsche used “Bodhisattva” and “Sun God” as a set of typical paradoxes of bisexual opposites. Nietzsche used drunkenness and dream to describe the state of Dionysus and the state of the sun god, respectively. This is the same way with the Chinese Tao Lao Zhuang philosophy has the same purpose. As the source of Chinese Taoism philosophy, “moral classics” and “South China Scriptures” at the same time have a strong literary nature, so that the entire Chinese ancient literature has been affected. This article aims to start from the philosophical point of view, under the influence of dialogue in Chinese and Western literature and art.