一、唐楷尚法与唐诗重律并行书法和诗歌在唐代文化艺术中各彰异彩,并峙而行。两者之间有着相似之处。唐初书法承隋之遗绪,以楷书为多。初唐欧阳询、虞世南等书家由隋入唐,一展他们的书法才艺。他们以智永为梯,直追二王,后更其体,遂以成名。后有颜真卿、柳公权等楷书大家。他们的书法结体端严,平整和美又清劲舒逸,深得皇帝及世人喜爱。清人梁巘说:“晋尚韵,唐尚法,宋尚意,元明尚态。”刘熙载也曾在《书概》中引《金石略序》说:“观晋人字画,可见晋人之法,观唐人之 First, Tang Kai Shang law and parallel to the law of the Tang Dynasty Calligraphy and poetry in the Tang Dynasty arts and cultural highlights, and stand still. There are similarities between the two. The beginning of the Tang Dynasty calligraphy inheritance Sui, to regular script as much. Early Tang Ouyang inquiry, Yu Shinan other books by the Sui and Tang, a show of their calligraphy talent. They use wisdom as a ladder, chasing two kings, after more body, then fame. After Yan Zhenqing, Liu Gongquan regular script everyone. Their calligraphic knot tight end, smooth and beautiful fresh and comfortable, won the emperor and the world favorite. Qing Liang Liang said: ”Jin Shang Yun, Tang Shang Fa, Song Shangyi, Yuan Ming Shang state.“ ”Liu Xizai also in the“ book outline ”cited“ stone outline ”said: " The law, view of the Chinese