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当然,现在还不能说王婉丽已是一位艺术上成熟的戏曲演员,在省戏曲研究院秦腔团演出的剧目中,尚较少见到她上演过主要的重头戏,能使她一展青衣行当的音韵和风采。但就她演出的《窦娥冤》《谢瑶环》《祝福》《清风亭》《三娘教子》《杀庙》《赶坡》《放饭》等剧中所塑造的蔡婆婆、曹母、武则天、秦香莲、王宝钏、四太太等舞台形象,却给人留下清新、深沉的印象,显示出她善于创造不同类型角色的艺术功底和步入艺苑群芳之列的艳丽前景。她从十二岁进剧团登台演出《断桥》,到二十五岁进入省戏曲研究院前的十数年中,在戏曲舞台上就演出过《秦香莲》《五典坡》《穆桂英》《三世仇》《沙家浜》《杜鹃出》
Of course, I can not say that Wang Wanli is an artistically mature opera actress. In her repertoire performed by the Shaanxi Opera Academy Shaanxi Opera Corps, she has rarely seen her play major operas and she can show her a career in Tsing Yi The rhyme and style. However, in her performances of “Dou E Yuan Yuan”, “Xie Yaohuan”, “Blessing”, “Qingfeng Pavilion”, “Mother of God”, “Temple” , Qin Xianglian, Wang Baodi, the Fourth Lady and other stage images, but gives a fresh, deep impression, showing that she is good at creating different types of roles of artistic skills and into the art gallery Qunfang column of bright prospects. She performed “Broken Bridge” on stage at the age of twelve, and performed “Qinlianlian”, “Five Dianpo”, Mu Guiying “” Three feuds “” Shajiabang “” Rhododendron out "