羁旅愁情,何以展现——柳永羁旅词中艺术手法赏析

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“自是白衣卿相”的才子词人柳永历来是诗词史上饱受争议之人。他生性浪漫、票赋音乐才华,但又出身尚儒的士族之家,这种自我性情与家庭传统之间的矛盾使得他的一生恣肆又失意,充满悲剧意味。前者使其甘于与歌女伎工为伍并为其填词写曲,后者又驱使其幻想功名,不得不为追求名利而浪迹天涯,因而在柳永的词集中,羁旅 “Genius is white phase ” Genius poet Liu Yong has always been a controversial person in the history of poetry. His romance, farewell music talent, but still a family of Shang Ru origin, this conflict between self-esteem and family tradition makes his life unbridled and frustrated, full of tragic meaning. The former makes it willing to work with songwriters and write songs for them, which in turn drives their fantasies of fame, for the pursuit of fame and fortune wandering End of the World, and therefore in the words of Liu Yong, escape
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洛布古典丛书(The Loeb Classical Library)的《德谟斯提尼演讲词(Ⅱ)》①于1926年初版、1939年修订后数次重印,足见其影响之大。但该书的英译部分仍然存在着一些问题。此书