关于后现代主义在西方的来龙去脉、由此而起的长达三十年的辩论以及其在中国社会产生的种种影响及变体,我已经在许多场合作过较多的论述,因此本文不再予以重复。我首先想指出的是,后现代主义在文化和艺术上的反映往往表现在两个极致:先锋派的智力反叛(对经典现代主义的延续和超越)和导向通俗(对现代主义的反动和对精英意识的批判),由此可见,后 With regard to the ins and outs of postmodernism in the West, the thirty-year-long debate that has taken place and the various influences and variations that it has had in Chinese society, I have already done a lot of expositions on many occasions, Be repeated. What I want to point out first is that the cultural and artistic reactions of postmodernism are often manifested at two extreme points: the avant-garde’s intellectual rebellion (continuation and transcendence of classical modernism) and the orientation of popular (reactionary and opposition to modernism Critique of elite consciousness), we can see that after