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李渔和莱辛都是社会转型期的戏剧理论的领军人物。本文通过戏剧语言和演员感情的投入两方面对两人的戏剧表演理论进行对比,以期发掘出中西方经典戏剧理论并行发展与向荣相同的美学特质。
Both Li Yu and Lessing are leaders in dramatic theory of social transformation. In this paper, we compare the theatrical performance theory of the two by the drama language and the engagement of actors and actresses in order to discover the same aesthetic qualities of the parallel development and glory of Chinese and Western classical theater theory.