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前不久,我参加了在澳大利亚与新西兰举办的中国电影回顾展,代表团成员有刘建中、栾国志、岳晓湄、杨玉冰先生以及演员陶红和我。参展影片有《十字街头》《祝福》《林家铺子》《早春二月》《喜莲》《成吉思汗》《美丽新世界》与《黄河绝恋》。 若与1961年出访日本、1981年和1983年去美、法参加影展相比,似有许多不同之处,比如以往的着装多由公家筹措,而如今出国的行头却需自行负担了。过去即或是一小团擦洗锅碗的钢丝都要到外国买,而这次我走进了国外的超市却想起了北京的超市,竟然什么也没买就回来了。而另一差异则在澳新中国影展的组织者除我国电影局外,澳新方面则全由华人单位担任,如太平洋文化艺术交流中心的执行董事邢天祥、和志耘、晨晓
Not long ago, I participated in a retrospective exhibition of Chinese movies held in Australia and New Zealand. The delegation members are Liu Jianzhong, Luan Guoshi, Yue Xiaomei, Yang Yu Bing and actors Tao Hong and me. The participating films include Crossroads, Blessings, Lin Jiapu Zi, Early Spring February, Xi Lin, Genghis Khan, Beautiful New World and The Yellow River. There seem to be many differences when going to the United States and France to visit the United States and France in 1981 and 1983 when they visited Japan in 1961. For example, most of the previous dresses were raised by the public and the expenses of leaving the country now have to be borne by themselves. In the past or a small group of scouring the pot of steel wire must go to a foreign country, and this time I went into a foreign supermarket but remembered Beijing’s supermarkets, even did not buy it back. Another difference is that in Australia and New Zealand China Film Festival organizers in addition to the China Film Agency, Australia and New Zealand all by the Chinese units, such as the Pacific Cultural Exchange Center Executive Director Xing Tianxiang, and Zhi Yun, Chen Xiao