论文部分内容阅读
进入90年代以来,人们对海子尤其是海子之死的谈论已成为具有代表性的文化症候。本文以回忆文集《不死的海子》为个案,借鉴知识考古学的方法,重点探讨这一“神话”得以生成的历史语境,以及其中折射出的90年代以来中国现代性叙事的诸多面向。在海子不断被建构的面孔背后,是90年代中国知识分子面对理想的挫败和自我的边缘化,重新寻找理想主义图腾,借此维系自我想象的历史诉求,而支撑这一诉求的也只能是彷徨的坚守与绝望的抗争。
Since the 1990s, the talk about the death of Haizi, especially Haizi, has become a representative cultural symptom. Taking the case of “Undead Haizi” as a case study, this article draws lessons from the methods of knowledge archeology and focuses on the historical context in which this “mythology” can be generated and the various aspects of the Chinese modernity narratives reflected in the 1990s . Behind the constantly-constructed face of Haizi is the frustration and self-marginalization of the Chinese intelligentsia in the 1990s, and the search for the idealist totem to maintain the historical appeal of self-imagination. Only the support of this demand can only be achieved It is a stubborn and desperate struggle.