入冬以来,首都舞台好戏连台,但要讲社会效应之强烈,都不及山西省话剧院演出的《老宅》(艺术总监彭一,编剧石零,导演姚大石,舞美设计边其义、王大德,主演李景兰、郝教勇等)。这个戏贴近90年代的现实生活,揭示深刻,冲突激烈,问题尖锐,意蕴丰富,发人深思,演出完整,导、表演、舞美、设计制作均属上佳。但是这个戏在山西初演到在北京舞台上亮相,在人们交口称赞的同时伴随着一场热烈的争议。争议范围涉及题材选取、题材处理、冲突性质、人物设置及处理,甚至还涉及一些历史与现实的重大问题。这种情况从在山西初演时北京去的专家和当地有关领导及专家所谈观感中有所反映,在北京演出后召开的座谈会上更有针锋相对的争论。《老宅》是剧作家石零取材于芦万成小说《内当家之死》,经过加工、创造而成,故事并不复杂:土改时被 Since the beginning of winter, the capital arena has a lot of goodies and even Taiwan. But to say that the strong social effects are inferior to those of the “old house” (the director of art, Peng Yi, screenwriter Shi Zuotao, director Yao Dashi, , Wang Dade, starring Li Jinglan, Hao Jiao Yong, etc.). Close to the real life of the 90s, the show reveals profound, intense conflicts, sharp issues, rich connotations, thought-provoking performances, complete performance, and superb guidance, performance, dance and beauty and design. However, this play premiered in Shanxi in Beijing stage debut, at the same time people are acclaimed with a heated controversy. The scope of the controversy involves topics selection, subject matter handling, nature of conflict, character setting and handling, and even some major historical and current issues. This situation is reflected in the perceptions of the experts who went to Beijing in the initial performance of Shanxi Province and the leaders and experts in the field. There were even more diametrically opposed arguments at the symposium held after the Beijing performance. “Old House” is a playwright based on the novels of Lu Wancheng, “the dead inside the house”, after processing, created by the story is not complicated: land reform was