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作为历史上唯一的女皇帝,武则天留给后人的思索实在太多。后世的很多文学家与艺术家,都对她深感兴趣,于是女皇题材的作品屡见不鲜。仅在京剧中,就有不同时期的不同版本问世。如童芷苓主演的《武则天》、吴素秋主演的《则天女皇》、李世济主演的《武则天轶事》,都是敷演这位女皇帝的事迹。几年前,旅日男旦吴汝俊也看中武则天的题材,再次把这位女儿身的皇帝形象搬上了京剧舞台。北京京剧院就是在同类作品辈出的基础上,敢于冒题材“撞车”的风险,推出了这部新编历
As the only female emperors in history, Empress Wu Zetian to think too much for future generations. Many later generations of writers and artists are deeply interested in her, so the Queen’s theme works are not uncommon. Only in the Beijing Opera, there are different versions of different times come out. Such as Tong Zhiling starring “Empress Wu”, starring Wu Suqiu “Empress Empress” starring Li Shizhi “Empress Wu Zetian anecdote”, are the performance of the female emperor’s deeds. A few years ago, Wu Rujun, a man in the Japanese army, also took a fancy on the theme of Wu Zetian. Once again, the image of the emperor, who is a daughter, was put on the stage of the Beijing Opera. Beijing Peking Opera Theater is based on the generation of similar works, dare to take the subject “Crash ” risk, introduced this new calendar