论文部分内容阅读
什么是话剧“民族化”?解释起来言人人殊,实践起来也没有统一而明确具体的要求。但在评论中,往往是赞扬那些某种程度吸取戏曲因素的话剧,而极少誉及其他形式或风格的探索,最近,有的同志又提出学习戏曲是“话剧民族化的必由之路”(童道明:《话剧民族化的必由之路》,《人民戏剧》1982年第1期),可见“民族化”是被赋予了狭隘内容的。另一方面,“民族化”口号又被当作统一的奋斗目标和标准,用来衡量、要求一切话剧;但在实践中,话剧工作者并不囿于一说,
What is the drama of “nationalization”? Interpretation of speech differs from person to person, in practice there is no uniform and specific requirements. However, in the comments, it is often praised for those who draw drama to a certain extent, but rarely for other explorations or other forms of exploration. Recently, some comrades have also proposed that studying opera is the only way to nationalize drama (Tong Daoming : “The Essential Way of Nationalization of Drama” and “The People’s Theater” No.182, 1982). It can be seen that “nationalization” has been given a narrow content. On the other hand, the slogan of “nationalization” is used again as the goal and standard of a unified struggle to measure and demand all drama. However, in practice, the drama workers are not saying one by one,