张新权的画总让人追溯记忆中的影像。甚至,也不是记忆中的影像,而是这些影像中储存的曾经的时光与曾经的生存痕迹。……表现精神诉求的方式是多样的,张新权选择的是具象表现主义。也即,他的作品总是和现实拉开一定的距离。无论描绘他生活过的《姑苏系列》,还是呈现他生活阅历的《上海外滩》《码头》和《海魂系列》,他都没有完全使用写实主义观念去告诉人们这里怎样,这里曾经发生了什么,而是选择某一场景或某一对象予以不受实写束缚的象征与表现。毫无疑问,他笔下的审美对象富有具象性 Zhang Xinquan’s paintings always trace the images in memory. And even, it is not the image of memory, but the past time and the trace of existence that are stored in these images. ... The ways of expressing the spiritual appeal are diverse, and Zhang Xinquan chose figurative expressionism. That is, his work is always a certain distance from the reality. Whether depicting the “Gusu Series” in which he lived or the “Shanghai Bund” “Wharf” and “Sea Spirit Series” that presented his life experience, he did not fully use the concept of realism to tell people how it happened here. What, but choose a scene or an object to be unfettered symbol and performance. There is no doubt that his aesthetic object is rich in figurativeness