帕慕克的小说大都有自传性的影子,无论是家族式的传奇,还是个人式的历险。2008年,《纯真博物馆》出版之后,很多读者去信直接追问他是否就是小说中的富家公子凯末尔。帕慕克玩了一个小花招,说他内心情愿读者把自己看作是凯末尔,换句话说,“我期望我的小说被看作是一部虚构作品,一件出自想象的产品——然而,我也愿意读者相信故事及主要人物都是真实的”。这是故事的魅力,也是小说的艺术。 Most of Pamuk’s novels have the autobiographical shadow, whether they are familial legends or personal adventures. In 2008, after the publication of “innocence museum,” many readers wrote to ask directly whether he is the rich son Kemal in the novel. Pamuk played a tricks and said he was inwardly willing readers to see themselves as Kemal, in other words, “I expect my novel be regarded as a fictional work, one from the imagination of the product - - However, I also want readers to believe that the story and the main characters are real. ” This is the charm of the story, but also the art of fiction.