佛教艺术自两汉之际传人中土后,有两个过程始终伴随着其发展,其一是民族化的进程,其二就是域外不同佛教艺术流派的相继影响。实际上一部佛教艺术传播史,其所体现的就是一个接纳—改造—融合的历史过程,这与佛教向中土的传播过程是同步和一致的。但就域外佛教艺术各种流派的影响而论,其过程又不是简单的,并不是简单的接纳、模仿,随着各种域外造像艺术流派的相继输入和民族化的进程,显现出复杂多变的 After the succession of Buddhism to manchuria between the Han and Han Dynasties, there are two processes which are always accompanied by its development. One is the process of nationalization and the other is the successive influence of different Buddhist art schools abroad. In fact, the history of the spread of a Buddhism art shows that it is a historical process of acceptance, transformation and integration, which is synchronized and consistent with the spread of Buddhism to China and Turkey. However, the influence of various schools of extra-Buddhist art abroad is not simple and not simply accepted or imitated. With the successive input and nationalization of various foreign art schools, of