吴冠中是中国当代画坛最享有盛名也是最饱受争议的人物之一,他曾提出过很多关于绘画的独到见解,特别是对于中国画如何具有当代性的见解,这些观点曾引发了中国画坛的激烈探讨,同时也给艺术家带来新的启迪。这篇文章尝试只从吴冠中众多作品的形式结构本身出发,主要运用阿恩海姆关于艺术形式本身的理论,来对其作品进行一番初步的分析,力求达到一个客观、公正而又深入的认识和评论。 Wu Guanzhong is one of the most prestigious and controversial figures in contemporary Chinese painting. He has put forward many original insights on painting, especially his view on contemporary Chinese painting, which have caused heated discussions in Chinese painting circles , But also to bring new inspiration to artists. This article tries to make a preliminary analysis of his works based on Arnhem’s theory of the form of art itself based on the formal structure of many works of Wu Guanzhong and tries his utmost to achieve an objective, fair and in-depth understanding And comment.