论文部分内容阅读
７月１９日，酷暑，最高气温 ３６℃。我在中央歌剧院《茶花女》的排练现场，我看见了穿着“盛装”的戴玉强。这身行头里外有严严实实的三层．一个夺目的“歌剧王子”跃然眼前，再仔细看看“王子”的脸豆大的汗珠也“跃然额前”。 老不见他坐．上前问，他说：“就这一身，弄褶了咋办呀！” 他报歉对记者们笑笑．默默地坐在舞台一侧的道具椅上翻着自己的剧本。剧本是牛皮纸封面．全部卷边儿了，毛茸茸的，他一只手捧着，口中念念有词，另一只手给自己打着拍子。
July 19, summer heat, the maximum temperature of 36 ℃. At the rehearsal scene of the “La Traviata” in the Central Opera House, I saw Dai Yuqiang wearing a costume. This line of head and body have a tactile three layers. An eye-catching “opera prince” vividly, and then look closely at the “Prince” big face beads sweat also “vividly forehead.” Never seen him sitting. Ask him, he said: “This one, pleated us!” He apologized to reporters with a smile. Silently sitting on the side of the stage props flip his script. The script is a cover of kraft paper. All curling children, furry, holding in one hand, mouth nostalgic, the other hand to beat himself beat.