宋元之际遗民诗歌呈现出祖陶(陶渊明)与宗杜(杜甫)两种鲜明的基本创作形态。这既是特殊历史时期时代精神的体现,也是诗学理念大力弘扬和诗歌实践自觉追步所结出来的硕果。而对其进行的文化解读表明,“祖陶”与“宗杜”都基于“吟咏情性”的创作动机而得以勃发;在创作层次上既有所区别又密切相连;就创作功用而言,二者又互为补充,共同起到了调节、平衡诗人心理的功效。另外从创作实绩上看,它们不仅救治了宋季凋敝的诗风,奠定了元诗的方向,还因其理论的高屋建瓴和创作的成就斐然深深影响着后代遗民诗的创作。 At the time of the Song and Yuan dynasties, the poems of the survivors showed two distinct basic creative forms of Zao Tao (Tao Yuanming) and Zong Du (Du Fu). This is not only the manifestation of the spirit of the times in the special historical period, but also the fruit of the poetic concept vigorously carrying forward and practicing the practice of poetry in practice. The cultural interpretation of it shows that both “Zao Tao” and “Zong Du” are prosperous based on their creative motivation of “Chant Emotionality”; both are differentiated and closely connected at the creative level; As far as the creative function is concerned, the two complement each other and work together to regulate and balance the poet’s psychology. In addition, in terms of their performance, they not only saved the poetic style of the Song dynasty, but also laid the foundation for the poetry of Yuan Dynasty. It also influenced the creation of descendants’ poems deeply and profoundly because of its high-spirited construction and achievements in creation.