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在二十世纪末期,一名画家的出现,让整个中国人物绘画史为之骄傲,其作品更是中国美术界的宝贵财富,他就是李伯安。冯骥才曾评价:“他把水墨皱擦与素描技法融为一体,把雕塑的量感与写意的挥洒混合无间。”李伯安用他的执着、虔诚与淳朴,为我们铸就了一幅前无古人的艺术瑰宝——《走出巴颜喀拉》。本文通过对李伯安整个艺术历程中具有代表性的作品进行具体分析,论述李伯安多元化的艺术手法和绘画语言形成的原因,研究其独特的艺术特征及对后世的影响。
At the end of the twentieth century, the appearance of an artist gave pride to the history of Chinese painting. His work was even more valuable to the Chinese fine arts. Feng Jicai once commented: “He blends ink wrinkles and sketches into one, mixing the sense of volume with the freehand brushwork.” “Li Bo-an uses his dedication, piety and simplicity to create an unprecedented art for us Gem - ”Out of Bayan Har". This article analyzes the representative works of Li Bo’an throughout the course of the art, discusses Li Boan’s diverse artistic techniques and the reasons for the formation of the painting language, and studies its unique artistic characteristics and its influence on later generations.