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除了写实主义风格外,形式主义风格是小城镇电影中第二个较为突出的美学风格。形式主义风格在电影世界观的表达上更加重视电影语言的作用,这种类型的电影将现实社会中的心理状态和实际情况通过“形式”的方式展示出来。本文通过对《钢的琴》《巫山云雨》和《寻枪》三部作品的解读来总结导演在电影中使用了哪种空间叙事策略,从而完成了对小城镇生活在转型期的描写,并呈现出他们的美学观念。
In addition to realism style, the formalist style is the second most prominent aesthetic style in small town movies. Formalism attaches more importance to the role of cinematic language in the expression of cinematic worldview. This type of cinema presents the psychological state and actual situation in real society through the “form”. This article summarizes what kind of spatial narration strategy the director uses in movies through the interpretation of the three compositions of “Steel Qin”, “Wushan Yunyu” and “Searching for Guns”, thus completing the description of the life in the small town during the transition period. Showing their aesthetic ideas.