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由于历史原因,一般艺术学的研究不仅长期受到来自美学方面的干扰,而且还困扰于与特殊艺术学之间的错综关系。实际上,它隶属于以人类的艺术活动为考察对象的具有实证倾向的艺术科学,而有别于对人类的审美活动进行哲学思考以获取绝对知识为己任的美学;同时,它又平行于以特定“艺术子系统”为各自研究对象的特殊艺术学,而把“艺术系统”设为自己的研究对象,即把人类的艺术活动作为一个广泛联系的功能整体,综合考察其存在、发展变化的一般规律。确立“艺术系统”为研究对象,不仅使一般艺术学具有丰富而科学的内容,而且还可为其建立良好的研究秩序。
Due to historical reasons, the study of general art has not only been disturbed by aesthetics for a long time, but has also plagued the intricate relationship with special art. In fact, it is subordinated to an art science that possesses empirical tendencies, taking human artistic activities as its object of observation, and is different from the aesthetic philosophy of philosophizing human beings’ aesthetic activities in order to acquire absolute knowledge. At the same time, it is parallel to The specific “art subsystem” is the special art of the object of study, and the “system of art” is set as its own research object, that is to take human artistic activities as a function of a broad range of connections and comprehensively examine its existence , The general law of development and change. The establishment of an “art system” as the research object not only enriches the general artistry with rich and scientific content, but also establishes a good research order for it.