乾陵石马。黑黑的井底,两只坚实有力的手臂。铁锤起落,锤声叮当。铁桶起吊,井口愈来愈大……影片《老井》开头的这一组组画面,深深地透出悲壮的历史感。跪女图案的浮雕,叠印大篆的“女”字。妇女执帚的浮雕,叠印大篆的“妇”字。妇女生育的浮雕……这是《良家妇女》的开头,她深沉地讲述着“女”字的演变历史。参差不齐的黑顶白屋,双塔在一片苍茫的晨雾中俯瞰着大地。小巷幽远深长,古井静默无声。影片《井》开头,淡淡的基调,凝聚着一种历史的透视力。近年来,出现在银幕上的影片,诸如《失信的村庄》、《黄河在这儿转了个弯》、《良家妇女》、《乡音》、《海滩》、《井》、《黄土地》……都从不同的角度或深或浅地对我们民族的历史底蕴作了挖掘、探寻。在主题上追求一种深沉的历史感、历史厚度。但是,与《老井》比,所不同的是,这些影片的 Qianling stone horses. Dark bottom, two strong and powerful arms. Hammer landing, hammer sound jingle. Iron drum lifting, more and more wellhead ... ... “Old Well” at the beginning of this group screen, deeply revealing tragic sense of history. Kneeling female pattern relief, overprinted seal “female” word. Women’s broom embossed, overprinted seal “woman” word. Embossing of women’s fertility ... This is the beginning of “Good Women” and she is deeply involved in the history of the evolution of the word “female”. Uneven black and white roof, the twin towers in the vast morning mist overlooking the earth. Alley deep glorious, ancient well silent. The film “Well” at the beginning, a touch of tone, embodies a historical perspective. In recent years, films appearing on the screen, such as “Village of Disillusionment,” “Yellow River turned a corner here,” “Good Woman,” “Accent,” “Beach,” “Well,” “Yellow Earth. All from a different angle, either in depth or in shallow depth, explored and explored the historical background of our nation. In the pursuit of a deep sense of history, the thickness of history. But unlike the ”old well", the difference is that these videos