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【Abstract】At the beginning of producing，the main function of the White Zhu dance song poetry is entertainment. It’s thought is renewing joy and promoting soldiery for the feast. Later, Bao Zhao brought the new changes to the poet, adding life emotion and personal accomplishments to it, making its content richer. At the same time, Bao Zhao added glamorous words and sentences to the poet, and created some new elements in phonology. This article will mainly discuss the contribution of Bao Zhao to the creation of the White Zhu dance song poetry by analyzing Bao Zhao’s “quit four White Zhu dance song”.
【Key words】White Zhu dance song poetry; Bao Zhao; new change
I. The richness of the content and the appearance of the glamorous words
From the content perspective, Jin White Zhu dance song poetry is mainly simple poetry of banquet dance. The poetry of Bao Zhao change the Jin white zhu dance song lyrics that does not involve the love of men and women and add girlish content.
In Bao Zhao’s poetry, poet elaborate depict the various instruments in the palace、the scene and the dancer’s gorgeous accessories in the dance. The formation of this style of poetry is because the content of such poems is generally focused on the expression of women’s emotion. The attention fo white zhu dance song lyrics change from the appearance to themselves of dancers. It is also one of the manifestations of the development of individual consciousness. Instead of paying attention to the dance itself, he began to pay attention to the beauty of women.
This change of white zhu dance song lyrics is an early disclosure of the information of Qi Liang Yan Poetry. This is the representation of sentiments characteristics of the Southern Dynasties in dance song poetry. Dance song poetry mainly express the love of men and women. The style also change from the joyful to the sorrowful. In addition, dance song poetry start descript the scenery to set off the mood of the character.
II. The break to the rhyme
The rhyme is consist into flat rhyme and phonetic rhyme. Before the appearance of white zhu dance song lyrics, seven characters poems mainly use flat rhyme, such as Zhang Heng’s Si Chou Shi and Cao Pi’s Yan Ge Xing. The White Zhu Dance Song Poetry of Bao Zhao break through the pattern that seven characters poems mainly use flat rhyme. For example, in the third poem, ru、qi、li are phonetic rhyme. The first of White Zhu Dance Song also use phonetic rhyme. The feet of rhyme such as ju、nv、zhu、wu are phonetic rhyme. This kind of flat and narrow, the use of the rhyme method, enriches the use of the rhyme method of the seven words, will undoubtedly have a big influence on the rhyming style of the seven words, especially the seven words ancient body. III. The disclosure of personal feelings
Throughout the whole life of Bao Zhao, he was transferred to several noble staff.Finally he became the staff of Liu Yiqing, the king of linchuan.Initially, no one paid attention to Bao, but later Bao was appreciated by his poems. Someone told him : “Your status is lower, so you can’t disrespect the king.”After listening, Bao was furious and said: “The people in history who are unrecognized for their talents are countless.How can we hid our talents and stay with the people who haven’t goals as a man ?”
From his words, we can see that the whole life of Bao Zhao must be unusual. He had been appreciated by the Emperor Xiaowu of Northern Wei, Liu Jun.However, because the emperor likes writing and thinks no one could catch him, Bao had to write some vulgar articles.
There is an outpouring of this feeling in his poems. The four poems in“the generation of the white zhu dance song poetry”also reveal this feeling .Many verses in his poems are written to gratitude for receiving help and encouragement by the emperor. These four poems are the most magnificent poems in his Yuefu poetry and that must be related to the grace and gorgeous rhetoric of poems of Liu song dynasty and that also reflects Bao’s catering to aethestic preferences of the upper class. The first and second poems try to depict the Luxurious scenes and gorgeous dancers which is a praise of luxurious life of upper class.The third and the fourth poems express Bao’s feeling of gratitude for the emperor’s appreciation more obviously and he continued the tradition that poets see the relationship of emperors and ministers as the love between lovers to express the feeling of gratitude to the emperor in a politely way .That also embodies Bao’s catering to the preference of the upper class. That is an exposure of his feelings and make that white Zhu dance song poetry is no longer a simple pleasure for feast and increase the confessional function for the poetry.
References:
[1]Lu Qinli.First qin,han,wei,jin,southern and northern dynasties[M].Beijing:China book bureau,1988.
【Key words】White Zhu dance song poetry; Bao Zhao; new change
I. The richness of the content and the appearance of the glamorous words
From the content perspective, Jin White Zhu dance song poetry is mainly simple poetry of banquet dance. The poetry of Bao Zhao change the Jin white zhu dance song lyrics that does not involve the love of men and women and add girlish content.
In Bao Zhao’s poetry, poet elaborate depict the various instruments in the palace、the scene and the dancer’s gorgeous accessories in the dance. The formation of this style of poetry is because the content of such poems is generally focused on the expression of women’s emotion. The attention fo white zhu dance song lyrics change from the appearance to themselves of dancers. It is also one of the manifestations of the development of individual consciousness. Instead of paying attention to the dance itself, he began to pay attention to the beauty of women.
This change of white zhu dance song lyrics is an early disclosure of the information of Qi Liang Yan Poetry. This is the representation of sentiments characteristics of the Southern Dynasties in dance song poetry. Dance song poetry mainly express the love of men and women. The style also change from the joyful to the sorrowful. In addition, dance song poetry start descript the scenery to set off the mood of the character.
II. The break to the rhyme
The rhyme is consist into flat rhyme and phonetic rhyme. Before the appearance of white zhu dance song lyrics, seven characters poems mainly use flat rhyme, such as Zhang Heng’s Si Chou Shi and Cao Pi’s Yan Ge Xing. The White Zhu Dance Song Poetry of Bao Zhao break through the pattern that seven characters poems mainly use flat rhyme. For example, in the third poem, ru、qi、li are phonetic rhyme. The first of White Zhu Dance Song also use phonetic rhyme. The feet of rhyme such as ju、nv、zhu、wu are phonetic rhyme. This kind of flat and narrow, the use of the rhyme method, enriches the use of the rhyme method of the seven words, will undoubtedly have a big influence on the rhyming style of the seven words, especially the seven words ancient body. III. The disclosure of personal feelings
Throughout the whole life of Bao Zhao, he was transferred to several noble staff.Finally he became the staff of Liu Yiqing, the king of linchuan.Initially, no one paid attention to Bao, but later Bao was appreciated by his poems. Someone told him : “Your status is lower, so you can’t disrespect the king.”After listening, Bao was furious and said: “The people in history who are unrecognized for their talents are countless.How can we hid our talents and stay with the people who haven’t goals as a man ?”
From his words, we can see that the whole life of Bao Zhao must be unusual. He had been appreciated by the Emperor Xiaowu of Northern Wei, Liu Jun.However, because the emperor likes writing and thinks no one could catch him, Bao had to write some vulgar articles.
There is an outpouring of this feeling in his poems. The four poems in“the generation of the white zhu dance song poetry”also reveal this feeling .Many verses in his poems are written to gratitude for receiving help and encouragement by the emperor. These four poems are the most magnificent poems in his Yuefu poetry and that must be related to the grace and gorgeous rhetoric of poems of Liu song dynasty and that also reflects Bao’s catering to aethestic preferences of the upper class. The first and second poems try to depict the Luxurious scenes and gorgeous dancers which is a praise of luxurious life of upper class.The third and the fourth poems express Bao’s feeling of gratitude for the emperor’s appreciation more obviously and he continued the tradition that poets see the relationship of emperors and ministers as the love between lovers to express the feeling of gratitude to the emperor in a politely way .That also embodies Bao’s catering to the preference of the upper class. That is an exposure of his feelings and make that white Zhu dance song poetry is no longer a simple pleasure for feast and increase the confessional function for the poetry.
References:
[1]Lu Qinli.First qin,han,wei,jin,southern and northern dynasties[M].Beijing:China book bureau,1988.