本文认为解释文学作品既不是对作品涉及的社会问题的探讨 ,也不是对作品非语义信息触发的感受的表达 ,而是对作品语义信息与深层意蕴的探寻与阐释。文学的解释者心目中应当有作者 ,应把作品看成传达意义的话语而不是没有具体说话者和语境的句子。为了培养理解他人、尊重他人、重视证据、力求共识的心理素质 ,解释的目标应确定为揭示作品原义而不是创新。由于作者关于作品意图的陈述不能成为衡量解释正确的可靠证据 ,解释者的学术立场和处身语境必然影响解释的客观性 ,因此把握作品原义只是意向性目标 This paper argues that the interpretation of literary works is neither an exploration of the social issues involved in the work nor an expression of the feelings triggered by the non-semantic information of the work, but rather the exploration and interpretation of the semantic information and deep meaning of the works. The author of literary interpreters should have an author in his / her mind and should view the work as a speech that conveys meaning rather than a sentence without a specific speaker and context. In order to cultivate the psychological quality of understanding others, respecting others, valuing evidence, and seeking consensus, the goal of interpretation should be determined to reveal the original meaning of the work, not the innovation. Since the author’s statement about the intent of the work can not be regarded as reliable proof of correctness, the interpreter’s academic position and context inevitably affect the objectivity of the explanation. Therefore, grasping the original meaning of the work is only an intentional goal