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毫无原则地去追求出新、追求变易,虽不说幼稚,起码也是糊涂的。“江馆清秋,晨起看竹,烟光日影露气,皆浮动于疏枝密叶之间。胸中勃勃遂有画意。其实胸中之竹,并不是眼中之竹也。因而磨墨展纸,落笔倏作变相,手中之竹又不是胸中之竹也。总之,意在笔先者,定则也;趣在法外者,化机也。独画云乎哉!”近日再读郑板桥此语,颇多感触。窃以为,就画画而言,多年来那种“中国画穷途末路”的论调以及喋喋不休的“求新、求变”之说颇为滑稽。无知似乎就可以无畏,于是胡言乱语,甚至被奉为领导指示“放之四海而皆准”。什么是新?什么是变?易理所
Pursuing new ideas and pursuing change without principle, though not naive, is at least confused. Jiang Jiang Qingqiu, early morning look at bamboo, smoke light shadow, are floating in the branches between the dense leaves .British then have meaning .In fact, bamboo is not the eyes of the bamboo also. Paper, drop pen 倏 made in disguise, the bamboo in the hands of the bamboo is not the chest. In short, the intended pen first, rules are also; Fun extrajudicial persons, the machine also. Zheng Banqiao language, a lot of feelings. To steal that, in the field of painting, the theory of “painting the dead end of China” and the chattering “seeking new ideas and seeking change” over the years is quite funny. Ignorance seems to be fearless, so nonsense, or even be regarded as the leadership of the directive “all over the world.” What is new? What is change?