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如果说,修辞学论著已是“春色满园关不住”的话,那么,武占坤先生的《汉语修辞学新论》（以下简称《新论》）的出版,则像是“一枝红杏出墙来”,令人耳目为之一新。 如今政通人和,国泰民安,人们有心思来关注人类自身的美了:做健美操以求体形美,做美容以求仪表美,加强修养以求心灵美……武老则站在艺术哲学的高度上,以独具的慧眼、独到的视角、独占的语料、独有的方法,把修辞和美学联系起来,对修辞进行了宏观把握,探究修辞学和美学整合之合力的深层动因,从而建构了“语用美学”的理论大厦,堪称近年来修辞和美学的跨学科理论建设的标志性建筑。
If we say that rhetoric is already “Spring Garden can not stop”, then Mr. Wu Zhaokun’s “New Theory of Chinese Rhetoric” (hereinafter referred to as “the new theory”) is published, like “ Come ”is refreshing. Politics and peace now, peace and prosperity, people have the intention to pay attention to the beauty of human beings: do aerobics in order to figure beauty, beauty in order to beauty instrument, to strengthen the cultivation in order to spiritual beauty ...... Wu Lao is standing on the height of philosophy of art, With rhetoric and aesthetics uniquely connected with rhetoric and aesthetics with a unique eye, a unique perspective, an exclusive corpus and a unique method, the rhetoric is macroscopically grasped to explore the deep motivation of the synergy of rhetoric and aesthetic integration, thus constructing “ Aesthetics ”theory building, called rhetoric and aesthetics in recent years, the interdisciplinary theory building landmark.