绪论笔者将分析有关雅乐(即国家祭祀或朝会中使用的音乐)的北宋士大夫的讨论,特别考察以八音(即依据八个材料进行的乐器分类,包括金、石、丝、竹、匏、土、革、木的八个种类)的概念为基础的王安石学派的乐论。他们根据经书的记载,考察与其一致的乐悬(即有关钟、磬等乐器数量与设置方位的等级规定),据此构想理想的雅乐,进而尝试表现适当 INTRODUCTION The author will analyze the discussions of the Northern Song Scholar on Alleluia (the music used in the national ritual worship or assembly) with special reference to the eight-tone (ie musical instrument classification based on eight materials, including gold, stone, silk, bamboo, , Soil, leather, wood eight kinds of concepts) based on the Wang Anshi school music theory. Based on the book’s records, they examine the music (ie, the rules on the number and placement of musical instruments such as bells, arms, etc.