傅抱石画作,无论是山水画还是人物画,均能以其独到的审美意境和独特的绘画表现方法给观者以震憾。其存世山水画《平沙落雁》、仕女画《擘阮图》等,充分展示了大师寓意境于景物的审美情趣,精于点墨的笔墨技法,极富感染力的雨景以及融合了日本绘画技法和风格的独特的表现手法。 Fu Baoshi’s paintings, both landscape paintings and figure paintings, can all astonish viewers with their unique aesthetic conceptions and unique painting expressions. His surviving landscape painting “Ping Sha Luo Yan”, beauty painting “thumbnail Nguyen”, etc., fully demonstrates the master meaning of the scene in the aesthetic taste, proficient in ink brush technique, highly contagious rain and fusion of Japanese painting A unique expression of technique and style.