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在宋代,中国陶瓷茶具艺术进入鼎盛时期。宋代汝、官、哥、钧、定五大名窑及耀州窑、吉州窑、建窑、磁州窑等分布全国,其釉色之纯、胎质之精、造型之美也达到了近乎完美的地步。宋代陶瓷茶具在审美追求上讲求俊巧多姿的格调、浑然天成的精神内涵与野逸质朴的精神境界。综其美学倾向,我们不难看出,当时的民族、历史、文化、艺术等客观因素对它的艺术风格所形成的决定性作用。在它迷人的风采背后,闪烁着时代精神与民族文化的光辉。而另一方面,宋瓷茶具就像这一特定时代的化石,成为时代特征和社会风貌的载体。
In the Song Dynasty, China’s ceramic tea art entered its heyday. Song Dynasty, officials, brother, Jun, set five famous kilns and Yaozhou kiln, Jizhou kilns, kilns, Cizhou kiln distribution throughout the country, the pure glaze, the essence of the tire quality, the beauty of the shape has reached a near perfect point. In the pursuit of aesthetic pursuit, the tea ware of the Song Dynasty emphasizes the artistic style, the purely spiritual connotation and the rustic state of wild Ye. According to its aesthetic tendency, it is not hard to see that the objective factors such as ethnicity, history, culture and art of that time were decisive for its artistic style. Behind its charming style, shining with the spirit of the times and the brilliant national culture. On the other hand, the Song porcelain tea set is like the fossil of this particular era, becoming the carrier of the characteristics and social features of the times.