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在《搪瓷茶缸》这篇情趣小品中,有记叙有描写也有议论,作者万全是在50年代回顾30、40年代的生活经历,不是许多方面的经历,只限于写有关搪瓷茶缸的三段经历。 三段经历分别是在1939年、1946年和1949年,时间拉得长,但笔墨精炼,篇幅很短,读起来没有因时间长而文字冗长之感。 作者通过搪瓷菜缸集中写了自己的感觉和心情,所谓情动于中,发而为文。这篇散文是按照时间顺序来写的,写出了在不同时期里不同的经历、感觉和心情。
In the “enamel tea pot,” this essay, there is a description of the narrative also talked about, the author Wanquan in the 1950s review of life experience of the 30s and 40s, not many experiences, is limited to writing about the three sections of enamel tea experience. The three stages of experience were in 1939, 1946 and 1949, respectively. However, the time was long but the ink was refined and the space was short. There was no reading of lengthy and verbose words. The author wrote his own feelings and feelings through enamel dishes, the so-called sentiment in the hair, and the text. This essay is written chronologically, writing about different experiences, feelings and moods over time.