随着艺术品市场的兴起,近年来古画赝品也多了起来,令收藏者防不胜防。 书画作伪,大致有摹本、临本、仿本、造本、假画真跋、改添题款形式等手法。因此,要鉴别一幅画的真伪,先要看画的整体构成,从纸张、笔法、功力、装裱等多方面去加以综合判断。如郑板桥画的“竹”简洁流畅,而展出的仿品却显得凌乱繁杂,尤其是青石上的苔点,没有郑板桥那种“黏”在石上的效果。 With the rise of the art market, the number of fake antiques in ancient China has soared in recent years that the collectors are hard to guard. Paintings and calligraphies pseudo, roughly copy, temporary, imitation, capital, false paintings true postscript, add the title form and other practices. Therefore, to identify the authenticity of a painting, we must first look at the overall composition of the painting, from the paper, writing, skill, mounting and other aspects to be comprehensive judgments. Such as Zheng Banqiao painting “bamboo” concise and fluent, and exhibited imitation goods appear messy and complicated, especially the moss on the bluestone, there is no Zheng Banqiao kind of “sticky” effect on the stone.