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民间音乐、初步兴起的文人学士音乐、宫廷音乐和宗教音乐是李方元先生在《魏晋历史对音乐文化的影响》一文中对魏晋时期音乐类型的归总。由此推见,六朝时期,民间音乐活动相较于传统意义上繁盛的宫廷音乐活动,有其独立存在的地位。该时期的民间音乐活动存之于乐舞中的目的大致有二,其一是自娱;其二是他娱兼谋生。孰不知,伴随着民间音乐活动的开展,饱含音乐素养的乡野百姓、私家乐伎等均无意间担负起民间教传音乐的职责,亦潜意实践着乐教的社会属性。
Folk music, the initial rise of literati music, court music and religious music is Mr. Li Fangyuan in the “Wei and Jin Dynasties on the influence of music culture,” a text of the Wei and Jin Dynasties, the total type of music. From this we can see that in the Six Dynasties period, folk music activities have their independent existence status compared with the prosperous court music activities in the traditional sense. The period of folk music activities stored in the music and dance in roughly the purpose of two, one is entertainment; second entertainment and his livelihood. As everyone knows, along with the development of folk music activities, rural people full of musical accomplishments, private musicians and so on have unintentionally assumed the duties of folk music teaching and music, and also subjectively practiced the social attributes of music education.