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最近,岭南美术出版社出版了清华大学美术学院袁运甫教授的艺术理论与评论文集《有容乃大——论公共艺术、装饰艺术、美术与美术教育》,这本洋洋50万字的学术论著,不但记录了作者多年的艺术创作历程,而且闪耀着睿智的思想火花。论文集包容了作者对公共艺术、装饰艺术、美术与美术教育等内容的深入思考,创造性地提出不少新的理论见解,是我国艺术理论建设的重要收获。一、对新时期公共艺术创作的理论总结《有容乃大》文集的显著特点,是对公共艺术创作的理论总结和对公共艺术的美学思考。袁先生数十年来一直从事公共艺术、彩墨画、设计艺术、装饰艺术等方面的创作研究与教学工作。从上个世纪70年代末以来,我国步入了改革开放新的历史时期,随着经济的增长
Recently, Lingnan Art Publishing House published the art theory and commentary anthology of Professor Yuan Yunfu from Academy of Fine Arts of Tsinghua University, “Containing Capacity - On Public Art, Art Deco, Fine Arts and Art Education”. This not only academic book of 500,000 words, not only Recorded the author’s many years of artistic creation process, but also sparked the wisdom of wisdom sparks. The essay contains the author’s in-depth thoughts on public art, decorative arts, fine arts and fine arts education, and creatively puts forward many new theoretical opinions, which are important rewards for the construction of our art theory. First, summarize the theory of public art creation in the new era The notable feature of the anthology of content is the summary of the theory of public art creation and the aesthetic thinking of public art. For several decades, Mr. Yuan has been engaged in the creative research and teaching of public art, color ink painting, design art and decorative arts. Since the late 1970s, China has stepped into a new historical period of reform and opening up. With economic growth