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中国美学从20世纪前半期的四模式,到20世纪五六十年代美的本质的四派,再到改革开放后的四种演进关结,基本上是在世界主流文化影响下的一种中国现代学术建构,当中国经历一百多年的奋斗而进入崛起的态势,且处于一个全球化时代多种文化并存的重要性日益突显的时候,一种把中国美学资源在理论上融入世界学术通用规则,以重建中国现代美学的本土形态,或许象征了中国现代性的另一面。
From the four models of the first half of the twentieth century to the four factions of the essence of the United States in the fifties and sixties of the 20th century, and then to the four kinds of evolution and closure after the reform and opening up, the Chinese aesthetics is basically a modern China under the influence of the mainstream culture in the world Academic construction. When China has experienced more than 100 years of struggle and entered a rising trend, and at a time when the importance of the coexistence of multiple cultures has become increasingly prominent in an era of globalization, a method of integrating the Chinese aesthetics into the academic world in theory , In order to rebuild the native form of Chinese modern aesthetics, may symbolize the other side of China’s modernity.