张锡庚是当代书坛以自己的文化语境来阐释“二王”影像的代表性书家之一。他生于江南水乡江阴,长期生活在吴文化发祥地之一的常熟,他将自己的书法美学追求、文化审美价值自觉纳入到吴越文化所营造的特有的江南情调之中。细细品味,此江南情调的基因也得益于“二王”时代的文化构成,当时东晋的政治文化大舞台便是在这片土地上铺陈的,玄学的幽灵穿梭于吴越大地。可以说,抓 Zhang Xigeng is one of the representative calligraphers in contemporary calligraphy that interprets the image of “Two Kings” in his own cultural context. He was born in Jiangyin, a waterfront in the south of Yangtze River. He lived in Changshu, one of the birthplaces of Wu culture for a long time. He took his own pursuit of aesthetics of calligraphy and cultural aesthetic value consciously into the unique Jiangnan sentiment created by the culture of Wuyue. Savor, this gene of Jiangnan mood also benefited from the “two kings ” era of cultural composition, was the political and cultural stage of the Eastern Jin Dynasty is spreading in this land, the mysterious school of ghost shuttle in the Wu Yue land. Can say, catch