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房树名五十年代创作的农村题材短篇小说(《一天夜里》、《花花轿子房》、《引力》和《渔婆》)构成比较复杂。一方面,这些小说按照既定规范选材、安排人物、主题和情节。另一方面,一些溢出“规定”的日常生活、人伦关系和个人心理得以表现,作品主角多是中间人物,叙述力求多样化。在合乎十七年农村题材短篇小说的写作要求的同时保留了较多个人化的意味,从而成为这类小说写作的变奏。从中可看到调和个人言说与国家言说间的紧张对立、寻找有限的自我表达的努力,以及客观上对“一体化”的动摇,有助于考察“一体化”在不同阶段达到的程度及其“真实状貌”。
The composition of the fifties in the fifties of the country theme short stories (“One Night”, “Flowers and Sedan Room”, “Gravity” and “Fisherwoman”) constitute more complicated. On the one hand, these novels are selected according to the established norms, and arrange the characters, themes and plots. On the other hand, some spillover “rules ” daily life, human relations and personal psychology to be able to perform, the protagonist is mostly middleman, narrative strive for diversity. In keeping with the writing requirements of short stories in rural areas over the past seventeen years, more personalized meanings have been retained, thus becoming a variation on the writing of these novels. It can be seen that reconciling the tension between individual speech and state speech, seeking limited self-expression efforts, and objectively wavering “integration ” will help examine the “integration” achieved at different stages The degree and its “real appearance ”.