《聊斋志异》一向被认为是花妖神怪之小说,多是神人婚恋之题。本文即从文化传统与接受反应的视角重新审视,以《黄英》一篇细析,打破婚恋之旧解边界,对之进行文化洞观和符号诠释。小说文本在此意义上,超越婚恋单纯的话语体系和外在形式,从而伸入到更加具体而真实的历史情境。 “Strange Stories” has always been considered monster flower demon novels, mostly the issue of divine marriage. This article from the perspective of cultural tradition and acceptance of the re-examine the perspective of a “Huang Ying,” an analysis of the old border to break the marriage, the cultural perspective and symbolic interpretation. In this sense, novels transcend the simple discourse system and external form of love and marriage, and thus extend into more concrete and real historical situations.