戏曲表演是近千年来无数表演艺术家创造的结晶,这种重感情的东西往往靠文字写不清楚,明清时期的思想家王子夫就讲到,“文字只能传其知,不能传其觉。”戏曲表演以歌舞作为媒介来反映生活,在艺术形式上囊括了诸多的艺术种类,但也不是说观念形态的艺术就不能用文字表达。戏曲有三大特征:综合性,虚拟性,程式性。戏曲绝不回避“程式化”的说法,正是戏曲严格的程式,才构成了自己独特的审美特征和表演优势。戏曲理论家阿甲说:“一个戏曲演员的情感还没有转化成一种技术时,那他一上台去,情感越丰富洋相越 Opera performances are the crystallization created by countless performing artists in the past millennium. Such heavy feelings are often not clearly written in words. The wise man Wang Zi-fu in the Ming and Qing Dynasties mentioned that ”words can only be transmitted to the public and can not be transmitted . “The opera performances use song and dance as a medium to reflect their life and include many kinds of art in the form of art. However, neither does the art of concept form can not be expressed in words. Opera has three major characteristics: comprehensive, virtual, programmatic. Drama never shy away from the ”stylized“ argument, it is drama strictly program, it constitutes its own unique aesthetic characteristics and performance advantages. A drama theorist, said: ”A drama actor’s emotions have not yet turned into a technology, then he came to power, the more emotional the more foreign-phase