黄宾虹作为20世纪的国画大师,他对中国画的贡献是多方面的。而他独特的绘画风格与成就,是建立在他对中国画笔墨的独到见解上的,更突出体现在其对绘画笔法的研悟与探索实践上。我们系统领会黄宾虹的画学思想,会发现其多是以“笔法”为发机而阐述的,其在笔法方面又是围绕以金石文字为宗这一主旨。如: As a master of traditional Chinese painting in the 20th century, Huang Binhong has many contributions to Chinese painting. His unique painting style and achievements are based on his unique insights on Chinese painting and calligraphy, and more on his practice of exploring and exploring painting brushstrokes. We systematically appreciate Huang Binhong’s painting theory and found that his painting style is mainly based on “stroke style ” as the starting point. Such as: