《满文大藏经》是乾隆中晚年倡导的一项重要的文化工程。由于其长期深藏内宫寺院,鲜为人知,在学术界基本上还是一块处女地。本文首次对其中尊神名号给予确认,对其绘画内容及艺术风格加以研究论述。 “Manchu Tripitaka” is an important cultural project advocated by Qianlong in his later years. Because of its long-term possession of the Inner Palace Temple, little-known, in the academic community is basically a virgin territory. For the first time, this article affirms the name of the god of honor, and discusses the content and art style of the painting.