“追寻”一直以来都是人类的文化母题之一。鲁迅开创的“归乡”模式其实也是追寻母题的一种具体模式呈现。旧海棠的《橙红银白》在某种程度上也是这种“归乡”模式的再次演绎,旧海棠借主人公季三叔及其女儿回回的“归乡”和“逃离”再次对生活在大城市的农村人的生存困境进行了发问。 Tracing has always been one of the cultural themes of humankind. Lu Xun created “homecoming ” model is actually a specific pattern to pursue the motif of the presentation. Old Begonia “orange red and white” is to some extent, this “homecoming ” model of the re-interpretation of the old Begonia by the hero Ji Sandu and his daughter back “hometown ” and “escape ”, Once again questioned the living predicament of rural people living in big cities.