对中国音乐结构这一课题的研究并不是最近兴起的,早在唐代,白居易就曾对唐代乐曲《霓裳羽衣舞》进行过评析。发展至近代后,萧友梅、杨荫浏等学者也针对大曲进行过专项结构的研究。在新中国成立后,也有一大批以李西安、夏野为代表的音乐学者在杨荫浏的指导下参与到中国音乐结构的研究当中。笔者认为,在对音乐结构进行分析时需要坚持以下原则:第一,对音乐作品的结构需要从不同角度进行。对于音乐作品结构的解释并不是一成不变的, The study of the Chinese music structure is not a recent study. As early as the Tang dynasty, Bai Juyi once made an analysis of the Tang Dynasty musician “Fancy Dress Dance.” After the development of modern times, Xiao Youmei, Yang Yin-liu and other scholars also conducted a study on the specific structure of Daqu. After the founding of New China, a large number of music scholars represented by Li Xi-an and Xia Ye participated in the study of Chinese music structure under the guidance of Yang Yin-li. The author believes that in the analysis of the structure of the music need to adhere to the following principles: First, the structure of the music needs from a different perspective. The interpretation of the structure of music works is not static,