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仲呈祥的《读片随笔三则》,从影视作品应贴近实际、贴近生活、贴近群众,唤起观众审美心理共鸣,增强影视作品的吸引力和感召力的角度,对电视剧《刘老根(二)》《轻松一点》和电影《惊涛骇浪》做了深刻的阐释与分析;王伟国《让观众发自内心的笑》一文,在充分肯定轻喜剧《炊事班的故事》的成功探索的同时,从喜剧本质特征入手,对其喜剧手法的创新提出思考。张步中的《春节联欢晚会盲点透视》,归纳出春节晚会存在的问题,相信对未来的晚会创作会有启发。
From the point of view that the film and television works should be close to reality, close to life, close to the masses, arousing the audience’s aesthetic psychology resonance and enhancing the attraction and charisma of film and television works, “Relaxed” and the movie “Storm” made a profound explanation and analysis; Wang Weiguo “let the audience from the heart of the smile,” a text, fully affirmed the light comedy “cooking class story” of the successful exploration at the same time, from the nature of the comedy Characteristics to start thinking about the innovation of their comedy techniques. Zhang Buzhong’s “Spring Festival Gala Blind Spot”, summed up the Spring Festival Gala problems, I believe there will be inspiration for the future party.