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当接到撰写《雷锋的微笑》导演专访的命题时,笔者很犯难:雷锋的片子难拍,这样的专访也难写。因为关于雷锋的影视作品、先进事迹、新闻报道多如牛毛,路人皆知,且都是寻常小事、好人好事。很难想象,在市场经济大潮汹涌澎湃,尤其是人们的思想观念日趋多元化的当下,拍摄这样的影片又有多少现实意义?是否还能唤起人们心底的那一丝美好情愫?影片又如何突破以往英模人物格式化、标签化的窠臼,带给人耳目一新的艺术享受或某种心灵的震撼?
When receiving the compilation of “Lei Feng’s Smile” director interview with the proposition, the author is guilty of difficult: Lei Feng film difficult to shoot, such an interview is hard to write. Because of the Lei Feng’s film and television works, advanced deeds, news reports numerous, passers-by are well known, and are unusual things, good deeds. Hard to imagine, in the tide of market economy surging, especially people’s ideas are becoming more diverse nowadays, how much is the real meaning of filming such a movie? Can it also arouse people’s heart that a wonderful feeling? How the film breakthrough in the past English-style character formatting, labeling of mortar, bring a refreshing art to enjoy or some kind of soul shock?