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一、神秘体验的三维结构一个有趣的精神现象是:科学技术的突飞猛进未能消灭人的神秘感。今天,许多为古人所迷惑不解的现象虽然都被科学阐明了,但是人类仍然有他所不能解的、神秘的东西。人类似乎天性中就有对于终极的、不可知之物的强烈兴趣,而这种兴趣在艺术、审美活动中表现得尤其明显。梅尔文·瑞德和伯特兰姆·杰塞普在其合著的《艺术与人类价值》一书中指出:“那些仍然相信生命神秘性与独特性,相信价值观念的重要性与效果的人们趋向于反抗‘科学主义’,从宗教或艺术的想象性的解放中寻求安慰。”的确,杰出的艺术品往往都有神秘性,伟大的艺术家常常对于神秘之物有一种特殊的敏感和体验。他们倾向于认为:最多的美犹如最高的存在,是神秘的、不可言说的;艺术活动就是要通过超越日常经验的神秘感受去接近与表现这种美。
First, the three-dimensional structure of the mysterious experience An interesting mental phenomenon is: scientific and technological advances have failed to eliminate the mystery of people. Although many of the phenomena that have been puzzled by the ancients have been scientifically illustrated today, mankind still has something mysterious that he can not understand. Humans seem to have a strong interest in the nature of the ultimate, unknowable, and this interest is particularly evident in artistic and aesthetic activities. Melvin Reid and Bertram Jessup in their book The Value of Art and Humanity states: “Those who still believe the mystery and uniqueness of life believe in the importance and effectiveness of values Tend to resist Scientism and seek comfort from the imaginative liberation of religion or art. ”Indeed, outstanding works of art are often mysterious, and great artists often have a special sensitivity to mysteries and Experience. They tend to think that the highest beauty is the highest existence, mysterious and unspeakable. The artistic activity is to approach and show this beauty through the mysterious feeling beyond everyday experience.