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剧本是戏曲演员创造角色主要的文本依据,也是表现角色的规定情节。所以,演员在塑造剧中人物时,就很自然地把剧本视为艺术创造的“焦点”,在剧本提供的人物生活素材中,进行想像和剖析人物的性格、情感等。这种戏中挖“戏”的创造方法,不是不行,但至少不够。我认为演员既要从戏中挖“戏”,还要习惯于戏外挖“戏”,这样才能演好戏中之“戏”。
The script is the main textual basis for the actors and actresses to create the characters and is also the prescribed episode for the characters. Therefore, when the actors shape the characters in the play, they naturally regard the script as the “focal point” of artistic creation, imagining and analyzing the characters’ personalities and emotions in the life material provided by the script. It is not impossible to create a “play” in this kind of play, but at least not enough. I think it is necessary for actors to dig “play” from the play and get used to digging “play” outside the play in order to play “play” in the play.